Publications
Academic journal articles, book chapters in edited volumes, conference proceedings, encyclopedia entries, book reviews, a doctoral dissertation & a forthcoming monograph
Spanish Nightmares: Capitalist Crisis, Cultural Anxieties & Horror Film in 21st Century Spain. Book manuscript under advance contract with Toronto Iberic/University of Toronto Press (Forthcoming)
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“Cinema of Dissensus: Cultural Crisis and the (Re)Emergence of Spanish Neo-Noir” in Crisis Unleashed: Crime, Turmoil & Protest in Hispanic Literature and Visual Culture, Diana Aramburu & Nick Phillips (Eds.), Hispanic Issues, Volume 29 (2022)
“Spanish Lessons: Reflections on el 23-F and other Spanish Coup Attempts in the Aftermath of the January 6th Insurrection,” Bulletin for Spanish & Portuguese Historical Studies, 46:1 (2021)
“Anthropophagic Allegories of Austerity: Las Brujas de Zugarramurdi and Other Conspicuous Cases of Cinematic Consumption During (and After) the Spanish Economic Crisis” in Mucho más que cine: historia, literatura y arte en el cine en español y en portugués (Ed. María Marcos Ramos) Editorial Dykinson, pgs. 991-1005. (2021)
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Book Review. Luisa Elena Delgado, La nación singular. Fantasías de la normalidad democrática española (1996–2011). Madrid: Siglo XXI de España Editores. 2014. (2019)
“The Politics of Public Memory in Madrid Now: From an ‘Olympic Capital of Impunity’ to Omnia sunt communia” in Cartographies of Madrid: Contesting Urban Space at the Crossroads of the Global South and Global North, Silvia Bermúdez & Anthony Geist (Eds.) Hispanic Issues, Vanderbilt University Press, pgs. 125-146. (2019)
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“Popular Theater as Space and Symbol of the Spanish Democratic Revolution,” Bulletin of Hispanic Studies, 95:10, pgs. 1085-1106. (2018)
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“Caníbal,” “El desconocido,” “Grupo 7,” “¿Qué hace una chica como tú en un sitio como este?,” “Nadie hablará de nosotras cuando hayamos muerto,” in Encyclopedia of Contemporary Spanish Film, Alex Pinar & Salvador Jimenez Murguia (Eds.), Rowman & Littlefield (2018)
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“Aparecidos, or How to Make the Ghosts Haunting You Disappear by Seeing Others” in Historia, literatura y arte en el cine en español y portugués (Ed. María Marcos Ramos) Centro de Estudios Brasileños, Universidad de Salamanca, pgs. 395-409. (2017)
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“Por una memoria activa” in Políticas de memoria y construcción de ciudadanía, Ariel Jerez and Emilio Silva (Eds.), Postmetropolis Editorial, pgs. 62-68. (2015)
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“Specters of Genocide: Mass Graves, Horror Film and Impunity in Post-dictatorship Spain” in The Ethics of Remembering and the Consequences of Forgetting: Essays on Trauma, History and Memory, Michael O’Loughlin (Ed.), Rowman & Littlefield, pgs. 249-272. (2014)
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Traumatized Subjects: Horror Film and the Legacy of Mass Extermination in Post-dictatorship Spain. Doctoral dissertation, UC San Diego. (2012)
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“Privatizing Public Memory: The Price of Patriotic Philanthropy and the Post-9/11 Politics of Display,” American Quarterly, 58:4, pgs. 1147-1166. (2006)
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